I've been thinking about plays. I am in a play right now, in rehearsals, me with an American accent. We go up in a month. Now, I won't mention the title of the play but it's award-winning. Yes, fine, but it ain't exactly Arthur Miller or Pinter, know what I mean? And I've been thinking to myself "I can do this. " It helps that I took a short play-writing course (or a short-play writing course). It's liberating to write in a different form. As part of the course, I've tried to adapt one of my short stories, The White Road, into a ten-minute stage play.
First, because the short story is in the first person and it is entirely in her head. Well, that and talking to her dog.
Dogs on stage are not what a director longs for. So the dog has become "virtual". Sorry, Fluff.
Next, you can't just have her talking to the audience all the time, telling us what she's thinking. Ah no. Need a little more subtelty (how do you spell that??). Show, not tell. Hmmm.
And finally, there can be no two-dimensional, un-fleshed-out characters in a ten minute play.
So basically, a total rewrite is called for. Right now my main character is American, hint of a southern accent. I'm thinking of moving the accent to Yorkshire instead. Maybe. I dunno. And how many stage directions can I give? I can't map out her every move, can I? Gotta leave something for the actors to do, eh.
Urgh, this is hard. But fun. I've been thinking that maybe scripts are the way to go. I've applied for a place on Robert "Story" McKee's upcoming three-day screenwriting workshop at the beginning of Nov. I've got an idea for a film. For the beginning of a film. Problem is I can't get to the middle and I have no clue about the end.
Hopefully, Robert will help. Will keep you posted.